|Born:||April 1, 1885|
|Birthplace:||Kansas City, Missouri, U.S.|
|Deathplace:||Beverly Hills, California, U.S.|
|Birthname:||Wallace Fitzgerald Beery|
|Occupation:||Stage, film actor|
|Spouse:||Gloria Swanson (1916-1919) |
Rita Gilman (1924-1939)
1932 The Champ
|Awards:||Best Actor Award (Venice Film Festival)|
1934 Viva Villa!
Hollywood Walk of Fame
7001 Hollywood Boulevard
Wallace Beery (April 1, 1885 – April 15, 1949) was an American Academy Award-winning actor, arguably best known for his portrayal of Long John Silver in Treasure Island (1934), who appeared in 200 movies over a 36-year span.
Beery was born in Kansas City, Missouri to Noah W. and Marguerite (Fitzgerald) Beery. He was a younger brother of actor/film executive William Beery and actor Noah Beery, who also had long careers in the motion picture industry. He was an uncle of actor Noah Beery, Jr.. According to U.S. Census records, all three Beery brothers were born to the same parents, making them full brothers and not half-brothers as many biographies say.
Wallace Beery joined the Ringling Brothers circus at age sixteen as an assistant elephant trainer. He left two years later, after being clawed by a leopard. Beery found work in New York City in musical variety and began to appear on Broadway. In 1913, he moved to Chicago to work for Essanay Studios, cast as "Sweedie, The Swedish Maid," a masculine character in drag. Later, he worked for the Essanay Studios location in Niles, California.
In 1915, Beery starred with his wife Gloria Swanson in Sweedie Goes to College. This marriage did not survive his drinking and abuse. Beery began playing villains, and in 1917 portrayed Pancho Villa in Patria at a time when Villa was still active in Mexico. Beery reprised the role seventeen years later in one of MGM's biggest hits.
Wallace Beery's notable silent films include Arthur Conan Doyle's dinosaur epic The Lost World (1925; as Professor Challenger), Robin Hood with Douglas Fairbanks (Beery played King Richard the Lionheart in this film and a sequel the following year called Richard the Lion-Hearted), Last of the Mohicans (1920), The Round-Up (1920; with Roscoe Arbuckle), Old Ironsides (1926), Now We're in the Air (1927), The Usual Way (1913), and Beggars of Life (1928; with Louise Brooks).
With the transition to sound film Beery was for a time out of work. However, Irving Thalberg had no objection to Beery's slow gruff speech as a character actor, and hired him under contract to Metro-Goldwyn-Mayer.
Beery appeared in the highly-successful 1930 prison film The Big House, for which he was nominated for the Academy Award for Best Actor. The same year, he made Min and Bill (opposite Marie Dressler), the movie that vaulted him into the box office first rank. He followed with The Champ in 1931, this time winning the Best Actor Oscar, and the role of Long John Silver in Treasure Island (1934). He received a gold medal from the Venice Film Festival for his second performance as Pancho Villa in Viva Villa! (1934) with Fay Wray. (Lee Tracy was originally to appear in the film until he drunkenly urinated off the balcony into a crowd of Mexicans standing below; Tracy's career never recovered from the incident.) Other Beery films include Billy the Kid (1930) with John Mack Brown, The Secret Six (1931) with Jean Harlow and Clark Gable, Hell Divers (1931) with Gable, Grand Hotel (1932) with Joan Crawford, Tugboat Annie (1933) with Dressler, Dinner at Eight (1933) opposite Harlow, The Bowery with George Raft and Pert Kelton that same year, China Seas (1935) with Gable and Harlow, and Eugene O'Neill's Ah, Wilderness! (1935) in the role of a drunken uncle later played on Broadway by Jackie Gleason in a musical comedy version. During the 1930s Beery was one of Hollywood's Top 10 box office stars, and at one point his contract with MGM stipulated that he be paid $1 more than any other contract player at the studio, making him the highest paid actor in the world.
He starred in several comedies with Marie Dressler and Marjorie Main, but his career began to decline in his last decade. In 1943 his brother Noah Beery appeared with him in the war-time propaganda film Salute to the Marines, followed by Bad Bascomb (1946) and The Mighty McGurk (1947).
Beery's second wife was Rita Gilman. They adopted Carol Ann, daughter of Rita Beery's cousin. Like his first, this marriage also ended in divorce.
According to E.J. Fleming's book "The Fixers" (about MGM's legendary "fixers" Eddie Mannix and Howard Strickling), Beery, gangster Pat DiCicco, and Albert R. "Cubby" Broccoli (who was also DiCicco's cousin and eventual producer of the James Bond films) allegedly beat comedian Ted Healy to death in a brawl. The book claimed that Beery was sent to Europe by the studio for a few months, while a story was concocted that three college students had killed Healy. Immigration records confirm a four-month-long trip to Europe on Beery's part immediately after Healy's death, ending April 17, 1938. A superb pencil drawing of Beery survives that was done on a film set by Healy, an amateur artist as well as the organizer and original leader of the Three Stooges.
Beery seems to have been somewhat misanthropic and difficult to work with, and Jackie Cooper, who worked with Beery in several films, called him in his autobiography "the most sadistic person I have ever known". Child actress Margaret O'Brien also worked with Beery, and ultimately had to be protected by crew members from Beery's insistence on constantly pinching her.
|1930||Academy Award||Best Actor in a Leading Role||The Big House||Nominated|
|1932||Academy Award||Best Actor in a Leading Role||The Champ||Won (Tied with Fredric March for Dr. Jekyll and Mr. Hyde)|
|1934||Venice Film Festival||Best Actor||Viva Villa!||Won|