The New York School (synonymous with abstract expressionist painting) was an informal group of American poets, painters, dancers, and musicians active in the 1950s, 1960s in New York City. The poets, painters, composers, dancers, and musicians often drew inspiration from Surrealism and the contemporary avant-garde art movements, in particular action painting, abstract expressionism, Jazz, improvisational theater, experimental music, and the interaction of friends in the New York City art world's vanguard circle.
Concerning the New York School poets, critics argued that their work was a reaction to the Confessionalist movement in Contemporary Poetry. Their poetic subject matter was often light, violent, or observational, while their writing style was often described as cosmopolitan and world-traveled. The poets often wrote in a direct, and immediate, spontaneous, manner reminiscent of word/paintings, and stream of consciousness writing, often using vivid, and visual imagery. They drew on inspiration from Surrealism and the contemporary avant-garde art movements, in particular the action painting of their friends in the New York City art world circle like Jackson Pollock and Willem de Kooning.
Poets most often associated with the New York School are John Ashbery, Frank O'Hara, Kenneth Koch, James Schuyler, Barbara Guest, Ted Berrigan, Bernadette Mayer, Alice Notley, Kenward Elmslie, Ron Padgett, and Joseph Ceravolo.
O'Hara was at the center of the group before his death in 1966. His numerous friendships and post as a curator at the Museum of Modern Art, he provided connections between the poets and painters like Jane Freilicher, Fairfield Porter and Larry Rivers (also his lover). There were many joint works and collaborations: Rivers inspired a play by Koch, Koch and Ashbery together wrote the poem "A Postcard to Popeye", Ashbery and Schuyler wrote the novel A Nest of Ninnies, and Schuyler collaborated on an ode with O'Hara, whose portrait was painted by Rivers.
Although they admired each other, the poets Koch, O'Hara, Schuyler and Ashbery were quite different as poets, yet they had much in common personally:
All four were inspired by French Surrealists like Raymond Roussel, Pierre Reverdy and Guillaume Apollinaire. David Lehman, in his book on the New York poets, wrote, "They favored wit, humor and the advanced irony of the blague (that is, the insolent prank or jest) in ways more suggestive of Jasper Johns and Robert Rauschenberg than of the New York School abstract expressionist painters after whom they were named."
There are also commonalities between the New York School and the members of the beat generation poets also active in 1940s, 1950s, and 1960s New York City. Including Gregory Corso, Allen Ginsberg, Amiri Baraka, Jack Kerouac, William S. Burroughs, Diane di Prima, Diane Wakoski, Anne Waldman, Tuli Kupferberg, Ed Sanders, Norris Embry, and several others. Many of the poets, including Koch, Ashberry, Ginsberg, and Kerouac attended Columbia University.
The term also refers to a circle of composers in the 1950s who orbited around John Cage: Morton Feldman, Earle Brown and Christian Wolff. Their music paralleled the music and events of the Fluxus group, and drew its name from the Abstract Expressionist painters above. What brought these artists together was a faith in the liberation of the unconscious and an excitement drawn from the street energies of Manhattan. In the 1960s the work of the avant-garde Minimalist composers La Monte Young, Philip Glass, Tony Conrad, Steve Reich, and Terry Riley became prominent in the New York art world.
During the 1960s the Judson Dance Theater located at the Judson Memorial Church, New York City, revolutionized Modern dance. Combining in new ways the idea of Performance art, radical and new Choreography, sound from avant-garde composers, and dancers in collaboration with several New York School Visual artists. The group of artists that formed Judson Dance Theater are considered the founders of Postmodern dance. The theater grew out of a dance composition class taught by Robert Dunn, a musician who had studied with John Cage. The artists involved with Judson Dance Theater were avant-garde experimenatalists who rejected the confines of Modern dance practice and theory.
The first Judson concert took place on July 6, 1962, with dance works presented by Steve Paxton, Freddie Herko, David Gordon, Alex and Deborah Hay, Yvonne Rainer, Elaine Summers, William Davis, and Ruth Emerson. Seminal dance artists that were a part of the Judson Dance Theater include:David Gordon, Steve Paxton, Yvonne Rainer,Trisha Brown, Lucinda Childs, Deborah Hay, Simone Forti, Elaine Summers, Sally Gross, Aileen Passloff, and Meredith Monk. The years 1962 to 1964 are considered the golden age of the Judson Dance Theater.
The new Bebop and cool jazz musicians in the 1940s and 1950s featuring Charlie Parker, Miles Davis, Max Roach, Dizzy Gillespie, Thelonious Monk, Charles Mingus, Cannonball Adderley, John Coltrane, Stan Getz, Ahmad Jamal, Gerry Mulligan, Dave Brubeck, and many other great Jazz musicians set the tone for the New York School and Abstract expressionism. Later new jazz musicians like Archie Shepp, Ornette Coleman, Rahsaan Roland Kirk, Pharoah Sanders, the evolving Miles Davis, and John Coltrane created the sounds for the new and more cool Hard-edge painters, Minimal artists, Color Field painters, Lyrical Abstractionists, and Pop artists of the 1960s.
The New York School which represented the New York abstract expressionists of the 1950s was documented through a series of artists' committee invitational exhibitions commencing with the 9th Street Art Exhibition in 1951 and followed by consecutive exhibitions at the Stable Gallery, NYC: Second Annual Exhibition of Painting and Sculpture, 1953; Third Annual Exhibition of Painting and Sculpture, 1954; Fourth Annual Exhibition of Painting and Sculpture, 1955; Fifth Annual Exhibitions of Painting and Sculpture, 1956 and Sixth New York Artists’ Annual Exhibition, 1957.